Hi all! Due to life events, I will not be posting or reupping albums in the future. Some of the albums might be available on the Facebook group mentioned below. Thanks for understanding!

For Facebook users, please check out and join my new sharing group Trashy Treasures, featuring 70s, 80s and 90s music pleasures!! A lot like the Isle, but with everyone able to contribute and discuss the tasty old music we love!!!

For all you pop lovers on Facebook, you should join the Pop Rush Community Facebook page immediately. Lots of amazing shares of great pop music from the 1990's and 2000's!!

And don't forget to follow the Isle on Facebook and Twitter!
Showing posts with label 1986. Show all posts
Showing posts with label 1986. Show all posts

Tuesday, September 19, 2017

Connie - Connie (1986), No Tears (1995), The Best Of Connie (2002) & Party Time 1 (2015) QUADRUPLE POST!!!!

So, I guess I have left you guys waiting for a new post for a very long time.  It has been an extremely difficult year, as you can imagine, and I thank you all for your words of sympathy and support. I am in a better state of mind, rest assured. Recently I was thinking about Connie's rare album No Tears for some reason and wanted to hear it again.  After an extensive search in my messy collection, I located it and, after realizing how good it was, I felt that I needed to share it.  My partner Mark was very supportive of my blogs (and loved Connie), and with that in mind, I thought I'd come back with a quadruple post to make up for lost time. :) I originally fell in love with Connie in 1986 after hearing her song "Experience" on the radio.  This was when freestyle music was beginning to explode, and I was addicted! I managed to track the single down, and on the other side was "Funky Little Beat", which would become her biggest hit. After that, however, I never heard anything more from Connie. She had a lower profile that some of her contemporaries, and it wasn't until I found her self-titled album many years later that I could indulge in more of her fab music. Born Consuelo Piriz on July 30, 1964, in Miami, Florida, Connie dreamed of performing as a child, and in her early 20s was introduced to music producer Henry Stone. Stone was the co-owner and president of R&B and disco label TK Records, and he executive produced Connie’s debut single “Funky Little Beat”, which became an instant club hit and almost hit the Billboard Dance top 40.  Amos Larkins II produced the self-titled album that followed, and the singles "Experience“, “I Can’t Stop”, and “Rock Me” followed, though not to the same level of success.  They were instant classics in freestyle clubs, however.  While touring, Connie managed to record three more singles - a remake of KC & The Sunshine Band's "Get Down Tonight" in 1987 (included here on her first album), and "Tonight's The Night" in 1988 and "Rockin, Rollin Weekend" in 1989, both produced by Amos Larkins II. After touring for several years, Connie got married and decided to focus on family. It wasn't until 1995 that she would release her next album, No Tears, along with the same-titled single, on obscure label Black Olive, this time with different producers. Though the sound was still very much freestyle and Connie, both the single and album failed to have any impact, as freestyle was past its prime. Nothing was heard from Connie for 7 more years, when Thump Records released The Best Of Connie in 2002. Produced once again by Amos Larkins II, it wasn't a true "Best Of" since it contained remakes of four past songs, as well as remixes of "Funky Little Beat", three new tracks, and remakes of Trinere's freestyle hits "How Can We Be Wrong" and "All Night", and Debbie Deb's "When I Hear Music" and "Look Out Weekend" (also originally produced by Amos Larkins II). While mostly a freestyle album, the three new tracks were decidedly euro-house. By then freestyle was no longer in vogue, except for in retro clubs. Luckily, the internet would soon change that, and the demand for retro music grew rapidly as the internet did.  As with several other artists featured on this site, the demand for Connie grew as well. In 2006 she recorded the Latin reggaeton album Let's Party (Estilo Reggaeton) (no, I do not have it as I am not a fan of reggaeton, sorry!) and also released The Best Of Connie - Funky Little Beat (which is basically just a remastered version of her first album). After this, Connie toured in retro freestyle shows with other legends.  Finally, in 2015, she released another album, Party Time 1, again working with Amos Larkins II and returning to the freestyle sound that she was known and loved for.  Clearly Connie is on a roll once again, touring extensively, and we can only hope she releases new music again soon.

Video for Funky Little Beat

Download Connie

1 Experience
2 Your Eyes
3 I Can't Stop
4 Fire In My Heart
5 Funky Little Beat
6 Laughter In The Rain
7 I'm In Love With You
8 Rock Me
9 Get Down Tonight

Download No Tears

1 No Tears
2 Dream On
3 Together Forever
4 La La (Means I Love You)
5 I Like It (Street Mix)
6 Round And Round
7 I'll Be Comin' Back
8 Burning Desire
9 I Like It
10 No Tears (Hip House Mix)

Download The Best Of Connie

1 The Power Of Love
2 Spinning
3 Feel The Beat
4 Funky Little Beat
5 How Can We Be Wrong
6 Rock Me
7 Experience
8 All Night
9 When I Hear Music
10 Your Eyes
11 Look Out Weekend
12 Funky Little Beat 2.0 (Club Mix)
13 Funky Little Beat 2.0 (Radio Mix)

Download Party Time 1

1 Call 911
2 Get Up
3 Don't Want You To Go
4 The Night Is Still Young
5 Must Be The Beat
6 No One
7 Rock This Party
8 Romance
9 Don't Be Jealous
10 A Boy And A Girl

Thursday, February 18, 2016

Vanity - Vanity 6 (1982), Wild Animal (1984) & Skin On Skin (1986) TRIPLE POST!!!

It is with a very heavy heart that I make this latest post.  In case you haven't heard yet, my idol Vanity aka Denise Katrina Matthews passed away at the age of 57 due to kidney failure on February 15, 2016.  It has taken me a few days to deal with this, but now I feel I must honour her with a (very lengthy) post, a post that has been requested by several of you over the years. Vanity was the reason I started this blog nine years ago.  Like so many featured on this blog, Vanity was an unsung pop star who was forgotten over the years yet deserved recognition.  She did have a higher profile, at least in the 80s, than many acts featured here, which is why I resisted doing a post on her then.  But she was my initial motivation, as I was a huge fan of hers from the moment I saw her and she remained my ultimate diva.  I had even originally named this blog after her first major film, Tanya's Island, which she made before she was known as Vanity and was using the moniker D.D. Winters.  Even my 'Nasty G' name comes from the Vanity 6 song "Nasty Girl".  Much has been written about her over the past few days, so her past is well documented on the internet and I won't go into too much detail here.  For that you can also check her Wikipedia page. But I do want to share my personal memories of her.  The first time I laid eyes on her was in 1984 when I was 14 and she appeared on the Canadian music TV show The New Music.  They were doing a feature on Prince's female protegees.  At the time I was a casual Prince fan and had just become a Sheila E. fan, so I was curious about these other women.  The moment they showed an image of Vanity I was smitten.  She was the most beautiful woman I had ever laid eyes upon (and still is) and she had an irresistible magnetism just through that one image that drew me in forever.  Then they showed some clips from her music videos and I was all hers.  The fact that she was a fellow Canadian was a huge bonus.  This was around when she released her first solo album Wild Animal, and it was the only thing I cared about receiving for Christmas that year, which I did. I adored the album (despite family and friends insisting that she couldn't really sing) and I practically wore out the cassette the first week!  I was consumed with finding images of her after that and snatched up every magazine that she was in, from Right On to Playboy to Creem, The photos went on my wall immediately.  I also scoured the television for appearances by her, though back then we had limited channels and only video cassettes to capture things on.  But I wore out those video tapes as well whenever I was able to capture anything Vanity, especially her "Pretty Mess" video.  She was always a coquettish and magnetic presence in both her performances and interviews, with undeniable charisma.  Soon after a family friend managed to find a vinyl copy of the Vanity 6 album and I was in heaven!  The sexuality and naughtiness of both albums were just the kind of rebellion I needed as a lonely, overweight, awkward teen.  I delighted in shocking everyone around me with her lyrics and image.  Her outlandishness empowered me.  I remember my father watching the "Nasty Girl" video and dismissing her after she claimed that she needed "seven inches or more", clearly intimidated by her beauty and sexuality, as he fancied himself a Casanova but knew he'd never have a chance. This pleased me even more.  Soon her movie The Last Dragon was being promoted and I longed to see it, but living in a small town with a two cinema theatre, it was never shown, so I had to satiate myself with the soundtrack and soundtrack poster, which I begged to have from the only record store in town.  Obviously I immediately adored the song "7th Heaven" from it.  Luckily our theatre did show Purple Rain and I had become a bigger Prince fan because of it, as well as a fan of Apollonia, who had replaced Vanity in the movie after Vanity, having realized that Prince would never love and focus only on her, pursued the independence that could make her career flourish.  Unfortunately Apollonia (who is also featured on the Isle) paled in comparison to Vanity in my eyes, lacking her extreme magnetism and sensuality - though I do still adore Apples. As Apollonia herself admitted this week, Vanity was a tough act to follow. ;)  I wished at that time that Vanity had stayed with Prince, as everyone's career who was connected to him was blowing up.  (Though she managed to do quite well on Motown and had two Billboard Hot 100 hits.)  Teenagers being complicated and fickle, I was soon distracted with my awkward social world.  That, combined with the extreme difficulty in tracking anyone's career in those pre-internet times, led to my surprise when I came across her second album Skin On Skin. Of course I snatched it up, though while I adored the first single "Under The Influence", the rest of the album was a bit of a let down.  It lacked the extreme electro-funk and sexuality of  Wild Animal, and while she wrote and co-produced all of the material on Wild Animal, she was barely present in the creation of Skin On Skin.  Though her vocals had noticeably improved, it seemed a lot less personal. Of course, I still loved the album, and songs like "Animals" and "Ouch!" kept up that sexy silliness. The album didn't seem to get as much attention, however, and Vanity showed up on TV less and less. During that time she was also starring in many movies like Never Too Young To Die and Action Jackson (I adored the Jesse Johnson produced track "Undress" from it and was thrilled she was in the video for the Pointer Sisters' "He Turned Me Out", also featured on it), though of course they never made it to my two cinema town, and it took years before anything new came out on video back then.  These things combined to take my focus off of her.  There was one time in 1989, however, when she was filming an episode of the Friday The 13th TV series in Toronto entitled 'Mesmer's Bauble'  (in which she starred alongside Isle postee Robey), that a friend's brother was lucky enough to be at the filming, and he came back regaling me with stories of her.  I was extremely jealous.  She had been so close! But soon I was off to university and was distracted by my new academic and social life and all that that entailed.  I thought of her occasionally (like when I randomly scored a publicity poster of her as "Miss Audio-Visual 1984", and when I used "Strap On Robbie Baby" to shock a sociology class), but she fell to the back of my mind and became a bit of a teenage embarrassment.  In 1990 I did hear that she was filming a movie called Lambada: Set The Night On Fire and was extremely excited about the new song she was to record for it, but it was soon revealed that she dropped out of the film, and the song, "Gotta Lambada", ended up being recorded by female duo Absolut instead.  She did appear in the TV movie Memories Of Murder that year, which was the first Lifetime movie ever, but of course I didn't get Lifetime. After that she was totally off my radar until 1992, when she appeared in the Jackie Collins TV mini-series Lady Boss, which I watched with a sort of sentimental melancholy.  Around that time rumours were surfacing that she was a born-again Christian, and she then shockingly (to me, at least) appeared on The Joan Rivers Show that same year, renouncing her past and emphatically preaching the word of God.  It was very jarring and, I confess, made me very uncomfortable.  She talked about how she detested her carnal identity as Vanity, and discussed her addiction to smoking crack, which led to extreme kidney damage, a kidney transplant, and almost death!  It all came as a shock to me, though looking back it suddenly seemed obvious that she was on drugs in many of her early interviews and performances. I have to admit that this new Vanity, or Denise Matthews, as she now wanted to be called, frightened me, and like one of Joan's audience members suggested, it seemed to me that she had just substituted one drug for another.  She was an extreme literal bible thumper and even spoke in tongues!  It was all too much for me, though I felt ashamed for wishing that the old Vanity would return.  It seemed like a freak show, and I chose to turn my back on it.  Then, in the later 2000s, I started to feel nostalgic and began listening to all of the older music again, Vanity most of all.  Now that the internet was everywhere, I sought out copies of her old movies and finally saw many for the first time, including the extremely controversial Tanya's Island - now I finally knew what the song "Wild Animal" was about!  I introduced her into my new world and forced her on my friends and especially my boyfriend, who was (and still is) a huge Madonna fan, but he eventually warmed up to her as well.  I pulled out old pics and posters and put them up.  I joined forums and met friends while talking about her, and created several monikers for websites derived from her various aliases, songs and films.  I made her my computer and phone wallpaper and screen savers.  I was again entrenched in the world of Vanity. Only after she passed this week did I realize just how much of her physically surrounds me in all aspects of my world.  I did check up on the real Denise Matthews at times, visiting her website and Facebook page, and I was happy that she had found happiness through religion, even if I didn't get it myself.  I felt horrible for her continuing illness, and the revelations of her abuse as a child and adult.  I read Nikki Sixx's Heroin Diaries, about his drug addiction in the year 1987, when he was dating Vanity and she was going through an equally destructive drug addiction.  She wrote several passages in the book, and I got a better idea of what she went though.  But, though Denise preferred it, I couldn't let Vanity go, and I created a Facebook page dedicated to her. I was thrilled at the response from followers and realized that I was far from alone in my love for Vanity.  Then a year or two later, I got a Facebook message from Denise Matthews herself!  In it she asked that I take the page down, as she no longer wanted her old self to be celebrated.  She asked me to call her so we could discuss it and gave me her phone number.  You can imagine my delight and horror!  Out of respect I immediately removed the page, but I could never call her.  I don't want to meet my idols, and I was also wary of her possible attempts to "convert" me.  Now that she is gone, I regret that decision.  I had no idea that she was so ill in the past months, and though I knew she was lucky to have lived this long, I was still so saddened by her death.  And though I know that she did not want people to celebrate Vanity, and I do also celebrate the amazing woman that was Denise Matthews, I need to post this tribute to her and share the music that made me so happy all of these years.  As I told her when we corresponded about the Facebook page, though she was regretful about her personal life the years she was known as Vanity, she should not dismiss or forget the joy that her music and films gave so many of us.  Without her, I would not be who I am today, which I'd like to think isn't so bad, as for some undefinable reason she instilled in me a strength and sass that I desperately needed as a teen, and I'm not sure that I would have discovered that without Vanity.  I am sorry that her life was often so sad, but I think in the end she was truly happy to go to the God she loved so dearly, and that is how I'll remember her.  Please celebrate and enjoy her work and life!

Video for He's So Dull

Video for Nasty Girl

Video for Drive Me Wild

Download Vanity 6

1 Nasty Girl
2 Wet Dream
3 Drive Me Wild
4 He's So Dull
5 If A Girl Answers (Don't Hang Up)
6 Make-Up
7 Bite The Beat
8 3 x 2 = 6

Video for Pretty Mess

Live performance of Samuelle

Live performance of Pretty Mess & Wild Animal

Download Wild Animal

1 Flippin' Out
2 Pretty Mess
3 Samuelle
4 Strap On "Robbie Baby"
5 Wild Animal
6 Mechanical Emotion
7 Crazy Maybe

Video for Under The Influence

Live performance of Romantic Voyage

Live performance of  Under The Influence & Animals

Download Skin On Skin

1 Under The Influence
2 Manhunt
3 Romantic Voyage
4 Confidential
5 Animals
6 Skin On Skin
7 Gun Shy
8 Ouch
9 In The Jungle

Tuesday, July 15, 2014

PAL - Truth For The Moment (1986)

Four years ago I posted the one and only single. "Talk We Don't", from 1980s funk/synth pop trio PAL on Lost Pop Treasures.  I have had their album on my wantlist ever since, and finally I have it to share, thanks to longtime Isle friend Robert G! :)  And it is every bit as good as I'd hoped, definitely something different from the "R&B" girl groups of the time.  PAL was Rebecca A. Sweet (aka Rebekha Sweet) and sisters Lanetta and Laretta Collier (aka Sinden and Rhett Cellier).  Luckily two thirds of PAL themselves saw my post on Lost Pop Treasures and filled us in on their past (which I've since also shared on Discogs), so I'll simply just repost that here.  Enjoy!

PAL's musical influences included Eurythmics, Sting, Joni Mitchell, Steve Winwood, Elton John, Fleetwood Mac... Most notably, it was Dave Stewart (Eurythmics) who telephoned Motown and inquired about the group after meeting them at an Eurythmics concert. He had assumed that PAL was already signed to Motown and upon being told they were not, asked "Why."  The group's name was inspired by "Pal" Shazar of Slow Children as it aptly represented the relationship of the members of the group.  PAL's music was only released in Europe as it was welcomed by the European licensees who had been anxiously awaiting a new fresh sound from Motown.  PAL's CD was somewhat altered from their original sound and true musical instincts, but they were lucky enough to maintain some elements true to their musical integrity as was showcased in "Talk We Don't." Simply told, PAL was not an" R&B" group but the record company enlisted the services of a Motown producer attempting to infuse R&B into their music in hopes of serving the American R&B base. This approach was again exercised in Motown's 12 inch remixes of "Talk We Don't" down-playing the breathing drums that were an integral part of the song's original music.  In January 1986, PAL embarked upon a promotional tour at the request of Motown's European licensees. The official video for the single "Talk We Don't" was produced in London utilizing the original track. PAL was told that their single at that time was the highest debuting single by any new group in Holland. PAL toured England, France, Spain, Germany, Holland and Belgium. They loved it!
Upon returning to the U.S., Motown was still at a loss as what to do with PAL. Even though the music had been so positively accepted abroad, America was not Europe. Motown never released PAL's music in America and this freed the group from any further recording obligations to Motown.  Around 1988, PAL disbanded and went on to lead very successful lives in other creative genres.

Here is a live performance of Talk We Don't

Download Truth For The Moment

1 Man About Town
2 Like It
3 Her Husband
4 On The Edge
5 Everybody's Nasty
6 Panic
7 Talk We Don't
8 Spellbound
9 Strange Dreams
10 Checkin' You Out

Friday, April 25, 2014

Nancy Martinez - Lay It Down (1983), Not Just The Girl Next Door (1986), Unpredictable (1989) & Bird's In The House (1997) QUADRUPLE POST!!!!

I'm sure anyone who visits this blog is aware of the powerhouse vocal talent of Nancy Martinez.  Indeed, she has had a long and successful career in pop music, but she hasn't been in the spotlight for some time.  While I have seen a couple of her albums posted in other places on the internet, I haven't seen all of her English pop albums in one place, so I decided to feature them in my second quadruple post of the year!  There are plenty of places on the internet that discuss her career, but I'll still give a (not so) brief synopsis.  Nancy grew up Montreal and had an interest in music at a young age, thanks to her musical parents.  As a child she attended music school as a pianist and started taking vocal lessons.  In high school she moved from singing at small local gigs to recording jingles and performing background vocals for popular French-Canadian artists like Nathalie and René Simard.  During a session with disco artist Kat Mandu, Nancy was approached by the label to sign as a solo artist.  Nancy was initially uncomfortable with being in the spotlight and asked that they not use her real name.  She released two euro-disco singles in 1982, "I'm Gonna Get Your Love" as Jade, and "Can't Believe" as Nancy Martin (note that in the video clip of the "live" performance, a model is lip-synching, since Nancy did not want to appear in promotions for the single).  Both were international club hits, and Nancy released two more singles under the monikers the next year, "Who Cares" as Jade, and "Hold Your Horses Baby" as Nancy Martin.  With this success it was time to step into the spotlight, and Nancy signed an album deal with Matra Records using her real name.  She released her first single as Nancy Martinez, "So Excited", also in 1983.  Her album, Lay It Down, soon followed, as did her next single, "Take It Slowly".  Thanks to the production of successful Canadian disco/hiNRG producer Joe La Greca (who later produced the albums by Isle postees Natasha and Pobi), the tracks were successes in clubs.  She released two last, non-album singles in 1984 for Matra: "Number Two In Love" and the medley "Sunshine Reggae / La Vie En Rose", the former a remake of the Laid Back song, which was a duet with her then-husband Allen Harris, and the latter a remake of the Edith Piaf classic.  "Sunshine Reggae" became her biggest hit in Canada thus far.  It was time for Nancy to pursue international success now that she was more comfortable in the spotlight, and she signed with Atlantic Records for worldwide distribution.  This time working with hiNRG/freestyle producer Teneen Ali, she updated her sound, and her first single, "For Tonight", became a huge hit and an instant freestyle classic in 1986.  The song even hit #32 on the Billboard Hot 100 and #2 on the dance chart.  Her album Not Just The Girl Next Door followed, and her follow-up single, "Move Out", managed to hit #12 on the dance chart.  The third single, the much more traditional pop track "Crazy Love", failed to chart, however.  There were plans to release the freestyle song "It Happens All The Time", but the original group L.I.F.E. released it first.  And though the non-album Atlantic single "Can't Wait" hit #17 on the Billboard dance chart in 1987, her contract with Atlantic ended.  Luckily A&M sublabel Vendetta snatched her up, and again working with Teneen Ali, she crafted another dance album, Unpredictable, released in 1989.  Unfortunately none of the singles - the poppy "You've Got Me On Fire", the hiNRG "Save Your Love For Me", or the ballad "Everlasting" - found much success, though the remixed "(Fire) You've Got Me On Fire" was a minor dance hit.  No longer with Vendetta, Nancy decided to sign with Canadian label ISBA and record her first French album, the self-titled Nancy Martinez, released in 1990, which included the single "Tomber Sous Les Mots".  She released her second and last French album for ISBA, Pourquoi Tu Pars?, in 1993, which was produced by legendary Canadian rocker Aldo Nova, who had long admired her and even asked her to sing the demo of the song "I Love You", which would eventually be recorded by Céline Dion on her Falling Into You album (on which Nancy did prominent backing vocals on the song "Your Light" - and Isle fans will also be interested to know that she also did backing vocals in 1988 on Isle postee Sequal's track "Took Another Chance").  Her biggest French single was "La Maîtresse De Tes Rêve", which Isle fans will also be interested to know is a cover of Isle postee West End Girls' "Anything To Make You Mine".  Over the following years Nancy kept a much lower profile, occasionally doing guest vocals.  Then, in 1997, she returned with an independently released English album, Bird's In The House.  Though I adore Nancy's dance music past, this album is by far my fave, and it's very rare so I had to share.  She switched to pop-rock and was much more involved in the writing, and the album was produced by John Farley, who also worked with Isle postees Sonia Papp and Pobi.  The album is pure perfection from start to finish.  She released the singles "Jack", "Fire" and "I'm In Heat", and though none were major hits, it was great having her back in the spotlight.  She soon again faded from the public eye, but in 2000, Nancy returned to dance music with the Europe-only release "For The First Time".  Four years later she surprised everyone by switching direction again and releasing the jazz standards album Downtown, and also featured on the K-Maro hip-hop track "Crazy".  She followed it up the next year with Live At The House Of Jazz, and also released the reggae influenced French single "Laisse-moi Te Donner" and a duet with Denis Ducharme, "Wouldn't It Be Nice". In 2005 she returned to dance music as the featured vocalist on MC Mario's "Not Guilty".  Since then Nancy has kept busy doing guest vocals, performing locally, and teaching music and voice.  Luckily she finally emerged on Facebook, where you can keep up to date on her current goings-on and view amazing rare clips.  This bodes well for some new and amazing material from one of the best and most diverse voices in the business.

Download Lay It Down

1 Take It Slowly
2 Lay It Down
3 We Got The Real Thing
4 So Excited
5 Right Here By My Side
6 The Love You Made Me Feel

Video for For Tonight

Live performance of Move Out

Download Not Just The Girl Next Door

1 For Tonight
2 Move Out
3 It Happens All The Time
4 I'll Be There
5 In The Heat Of The Night
6 Hurt Me Twice (Shame On You)
7 Crazy Love
8 Without You
9 Rhythm Of Your Heart
 
Download Unpredictable

1 You've Got Me On Fire
2 Save Your Love For Me
3 Unpredictable
4 Make A Move On Me
5 First Impression
6 Everlasting
7 I Will Make It Up
8 I Believe In You & Me
9 How Many Times
10 Got Something On My Mind

Video for Fire

Download Bird's In The House

1 I Can't Wait
2 It Ain't Right
3 Jack
4 Fire
5 Getting Over You
6 How Low Can You Go
7 Don't You Call Me Anymore
8 Looking For A Rainbow
9 I'm In Heat
10 Highway
11 Without You
12 Living In The Gray

Thursday, October 24, 2013

Nayobe - Nayobe (1986) & Promise Me (1991) DOUBLE POST!!

It's due time to feature a lady who is considered by many the first true queen of freestyle.  It is believed that she is the first Latin woman to have a freestyle hit, and second woman overall, after Shannon.  Whether this is true or not, any fan of freestyle knows exactly who Nayobe is.  Brooklyn born Nayobe Catalina Gomez burst on the scene in 1985 with the song "Please Don't Go", arguably the first vocal 'Latin Hip Hop' song.  Before then, after performing in talent shows and off-Broadway appearances as a young girl, she met manager Sal Abbatiello when she was 14 at a skating rink.  Hearing her singing aloud, he asked her to join a talent contest at the popular Dance Fever club.  She won ten times in a row, which resulted in her being signed to Sutra Records and back-up singing gigs with hip hop acts like Lovebug Starski, The Fat Boys and Kurtis Blow.  She was presented with "Please Don't Go" and loved it, and it was an instant club hit, reaching #23 on the Billboard Dance charts.  She even perfromed it in the film Krush Groove.  Though the freestyle sound was a big hit, the label chose to release the 60s R&B flavoured "School Girl Crush" as the next single.  When it failed to hit, they went back to the freestyle formula and released "Good Things Come To Those Who Wait" and "Second Chance For Love", both of which were also Billboard Dance hits, reaching #15 and #30, respectively.  Her self-titled album was also released, as was another single, the ballad "Guess I Fell In Love", but it failed to chart.  However, her dance chart success led to her being signed to Epic offshoot WTG, and the track "It's Too Late" was included on the soundtrack to the movie Twins.  It became her biggest hit, reaching #5 on the Billboard Dance charts.  In an attempt to widen her audience, the label then set her up with top R&B producers like Teddy Riley, Frankie Blue, Les Pierce, David Frank and Mic Murphy.  The result was a new jack swing album, far from the sound of her debut.  With a change of sound and image, her fans didn't embrace (or perhaps even notice) her new sound, and though the first single, "I Love The Way You Love Me", managed to hit #14 on the Billboard Dance charts and was a minor R&B hit, the album and follow-up single "I'll Be Around" were fairly unsuccessful and she was dropped.  Nayobe took some time off, but returned with the single "All Night Long" in 1995, a remake of the Mary Jane Girls classic (according to Nayobe, it failed because Mary J. Blige released her version the same year). She also recorded a new freestyle track that same year, "What Am I To Do", for the Freestyle Lives compilation. Then, thanks to the label's president, she signed a two album deal in 1997 with Sony's Latin division to release Latin music, but after the president was fired, she was dropped before her album Dame Un Poco Mas could be properly promoted.  Luckily, during that time a friend got her a gig dubbing Salma Hayak's singing voice in the movie 54 for the song "The Night I Fly".  After changing management, Nayobe signed with Platano Records in 1998 and released a self-titled salsa album the following year.  It was not a huge success, and Nayobe claimed that if it failed, she'd either give up music or focus on house music (something that she dabbled in in 1991 with the song "Good Love").  Luckily, instead of retiring, she returned in 2005 as a featured artist on the #19 Billboard Dance chart house hit "You're My Angel" by DJ Mike Cruz.  Since then Nayobe has been touring the hugely popular freestyle concert circuit with many of her contemporaries, garnering new adoration and even receiving the first Fever Lifetime Achievement Award earlier this year.  You can bet we haven't heard the last of Nayobe's incredible voice blaring through clubs the world over.

Video tribute

Download Nayobe
(Note: This is the 1991 reissue of the album entitled Please Don't Go, which contains bonus tracks)
 
1 Please Don't Go
2 Good Things Come To Those Who Wait
3 Guess I Fell In Love
4 Roses
5 School Girl Crush
6 Second Chance For Love
7 The More I Need (The Less I Have)
8 I Don't Have To Make Believe
9 No Te Vayas (Please Don't Go)
10 Please Don't Go (Remix)
11 Please Don't Go (Dub Version)

Download Promise Me

1 I Love The Way You Love Me
2 I'll Be Around
3 Can't Let Go
4 You Are You
5 You Are Everything
6 Who Do I Call
7 Some Kind Of Emotion
8 Promise Me
9 Main Squeeze
10 Have I Said I Love You Lately

Friday, August 9, 2013

Boomerang - Boomerang (1986)

After posting the Mens Room album, it got me thinking about a similar female trio, Boomerang, whose album I've had on my want list for some time.  I remember seeing the video once to "These Boots Are Made For Walkin'" back in the 80s, and that was the first and last I heard of them.  Other than that song I never heard anything else by them until recently, and I was intrigued.  So I finally bought the vinyl and ripped it for you all!  And I'm glad I did.  It is very similar to the Mens Room album - synth-poppy girl group goodness.  Boomerang consisted of Adriana Kaegi, Cheryl Porier and Perri Lister.  Adriana and Cheryl were a part of The Coconuts, the trio of ladies that accompanied Kid Creole on his many hits.  As part of Kid Creole & The Coconuts, they released eight albums in the 1980s/early 90s, all tropical flavoured funk and Latin music.  They had their greatest success in the UK, with their biggest hit being "Annie I'm Not Your Daddy".  Swiss Adriana co-founded the group with her husband August Darnell, better known as 'Kid Creole'.  Though The Coconuts did release one album by themselves on EMI in 1983, Don't Take My Coconuts (stay tuned here for that one!), Darnell was still heavily involved in it's writing and production.  The ladies grew frustrated and wanted to make their own music with a different producer (Adriana also divorced Darnell in 1985), so they signed a deal with Atlantic Records to do just that.  When Coconut Taryn Hagey declined to join them, they asked Perri Lister, who had briefly been a Coconut, to join them.  Perri had been part of Brit dance troupe & recording artists Hot Gossip, and had also sang back-up for new wave act Visage and Billy Idol. In fact, she had a nine year relationship with Billy Idol starting in 1980, and they had a son in 1988.  She also appeared in his videos such as "White Wedding" and "Hot In The City" and danced topless in Duran Duran's "The Chauffeur" video.  Taking the name 'Boomerang', they enlisted popular long-time producer David Kershenbaum and gathered a collection of songs, some originals and some remakes.  Their first single was a remake of Nancy Sinatra's "These Boots Are Made For Walkin'", and they made a video for it.  This was followed by "When The Phone Stops Ringing" (which would later become a minor hit in 1987 for British pop group Eighth Wonder) and "In The Darkness" (which France Joli first recorded in 1985 for her Witch Of Love album, and Taylor Dayne would cover on her 1988 debut album).  Interestingly the album also included the 'Tina Yothers classic' (LOL) also covered by Mens Room on their album, "Baby I'm Back In Love Again".  But despite the fact that they were backed by a major label, the label did little to promote them and, according to Adriana, the act "went nowhere".  A shame because they had such potential.  After that, Adriana and Cheryl went back to Kid Creole & The Coconuts (another Coconuts-only album, Killer Bees, was released in Japan only in 1991), and then left for good in 1991.  Of the three ladies of Boomerang, Adriana has retained the highest profile in the entertainment industry.  She has pioneered on-line fashion shows, released a solo jazz album, Tag, in 2009, and released the documentary Kid Creole & My Coconuts in 2011, documenting her time with the groundbreaking group.

Live performance of These Boots Are Made For Walkin'

Download Boomerang

1 Boomerang Fanfare / Boomerang
2 These Boots Are Made For Walkin'
3 Night Train
4 When The Phone Stops Ringing
5 Guess You Know I'll Always Be Around
6 Baby I'm Back In Love Again
7 In The Darkness
8 Money, Men And Makeup
9 Stowaway